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Genesis is a preset bank for Phase Plant and a sample pack developed in collaboration with HydraTek. This collection features an extensive range of sound effects inspired by organic, mechanical, creature-like, and natural elements. The library is specifically created to cater to the needs of game audio designers and anyone looking to augment their production with unique, customizable, and versatile sound effects.

Preview Part I

Preview Part II

Sample Pack Preview

Genesis comes in two versions

There are two versions of Genesis available: the Phase Plant Bank, which includes 100 presets, and the Sample Pack, which contains 382 samples created using the Phase Plant presets. You can purchase each version separately, or opt for the cost-effective bundle that includes both.

Macros explained

The Phase Plant presets come with a unique set of specific macros for each sound, which allow for intricate manipulations of the sound. This gives the user the ability to create and customize the sound for specific needs and applications. Below you can find an explanation of the macro controls.

🎛️ BASE MACROS

The first four macros are fixed to ensure consistency when working with sound in music production.

M1 - MORPH. Changing the „shape” of the sound. Alters the sound on many levels: timbre, rhythm, fx, etc. works in conjunction with other macros.

M2 - MITOSIS. Like a cell dividing into halves, the sound’s inner properties make it sound less cohesive as a whole, and more split, fragmented into a double nature. Responsible for fragmentation of the sound, modulation depths, rates, and response of other macros.

M3 - WILD. It makes the sound more aggressive and uncontrolled.

M4 - TAME. It makes the sound calm down and simplified in various ways (getting darker, less movement, freezing modulations, blurring everything with reverb, etc.)

🎛️ AUX MACROS

The other four macros are flexible and change in presets.

ORGANIC. Organic, evolutive sound with a ‘natural’ evolution over time.

TECHY. Unnatural, high-tech mutation of the sound. Like an organism’s built-in laboratory.

EXTINCTION/AGONIZE. Destruction/distortion/deformation/deconstruction of the sound in an ugly way

CHAOS. Bring randomness into play and make the sound chaotic.

MUTATE. Altering the timbre/color of the sound. Additional modulation source.

SWARM. Moving the sound into a granular cloud of small particles.

CLAWS. Making sound sharper, and rawer.

ADRENALINE Sound rising in intensity, bringing a sense of urgency.